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Die Reihe Andere Ästhetik - Koordinaten (AÄK) des Sonderforschungsbereichs 1391 setzt sich aus Publikationen zusammen, die interdisziplinär und transkulturell Leitaspekte einer vormodernen Ästhetik in programmatischer Weise fokussieren.

PHILOSOPHY / Aesthetics. --- Intermateriality. --- Intermediality. --- Material. --- Medium.

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Photography --- Photographie --- History --- Histoire --- Philosophy --- Social aspects --- Photo - Philosophy - Aesthetics --- CDL --- 77.01 --- Photo - Philosophy - Aesthetics. --- Photography - Philosophy --- Photography - Social aspects --- Photography - History

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Etude sociologique, anthropologique sur les rapports entre les ornements, les éléments décoratifs et la guerre : l'ornement en tant que marqueur identitaire de chaque camp, les parures guerrières, les oeuvres et objets d'art devenus butins de guerre, etc.

Philosophy - Aesthetics - Architecture. --- Decoration and ornament --- Art and anthropology --- Art and war --- Art and philosophy.

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"Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image--Arabic script, Bettini's "The Eye of Cardinal Colonna," Bernini's Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio's Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer's self-portrait, among others--and deftly crosses historical, national, and artistic boundaries to address Graciǹ's El Criticn̤; Monteverdi's opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer's Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts"--

PHILOSOPHY / Essays. --- PHILOSOPHY / Movements / Phenomenology. --- PHILOSOPHY / Aesthetics. --- Aesthetics, Modern --- Aesthetics --- History

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"Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.Have you ever thought seriously about your refrigerator? The box humming in the background actually displays who you are and the society in which you live. This book examines the past, present, and future of the electric household refrigerator with an eye towards preventing its users from ever taking it for granted again. No mere container for cold Cokes and celery stalks, the refrigerator is actually more like a mirror-and what it reflects is chilling indeed.Object Lessons is published in partnership with an essay series in the The Atlantic"--

Food --- LITERARY CRITICISM / Semiotics & Theory. --- PHILOSOPHY / Aesthetics. --- Refrigeration and refrigerating machinery --- SOCIAL SCIENCE / Anthropology / Cultural. --- Cooling